Wednesday, November 7, 2012

The Harvest Moon Festival of the Mother of the Earth 2008


International Goddess Conference 2008
The Harvest  Moon Festival of the Mother of the Earth   
    
       Friday 21 March to Sunday 23 March 2008
             Full Moon Autumn Equinox Mabon Weekend
                                          

International Goddess Conference 2008

The Harvest  Moon Festival of the Mother of the Earth       
       Friday 21 March to Sunday 23 March 2008
             Full Moon Autumn Equinox Mabon Weekend
                                           Artemis in Franschhoek                                                             

The time has come to bring Her home; to bring Her symbols and message back to the awareness of the people of Africa, the cradle of mankind, the womb of all humanity.  The Conference is an opportunity to explore the Goddess path, to learn more about the Goddess Within and Without, and to experience her nurturing and healing nature.  Share in the joy and pure fun of celebrating with a Goddess community!
KoKo NewportPriestess of Avalon, Glastonbury will present a workshop on how to create your own ceremonial girdle  Shirley Watchow,facilitator of the Woman of the Land™ workshops which focus on the empowerment of women - Helen Schuck, creatrix of the Sacred Goddess Labyrinth of Nemetona and author of Zenzile, A Child of Africa, will lead us in our sacred quest under the full moon into the labyrinth of Artemis,  - LindieLila – Goddess of the Moon, Sacred Dance and Song Workshop and creatrix of the song Mama Gaia – Shakti Malan offer Shakti, the Goddess in all Her sexual power, Marguerite van der Merwe,  author of Eve-lutionHettienne Grobler on the relevance of the Goddess path today, and others.  Sacred hikes and ceremonies with Dean Liprini of Sunpath Tours, participate in ritual, ceremony and chants.  Sacred temple drama, ecstatic dance, full moon labyrinth walk, scatter your offerings at the various Goddess shrines, ancient wheat dolly making ritual, carry the image of Goddess onto Her sacred lands, come dressed in goddess finery and ceremonial clothing!!  An abundance fair will offer cloaks, headdresses, Goddess rosaries, Goddess icons and statues, ceremonial knives, Goddess music.

INTERNATIONAL GODDESS CONFERENCE
ARTEMIS, FRANSCHHOEK, SOUTH AFRICA
Thursday 20 March to Monday 24 March 2008


The Full Moon Harvest Festival of the Great Mother took place during the Full Moon Autumn Equinox/Mabon weekend of 20 - 24 March 2008.


We, as men and women, are faced with healing the feminine wound and with a return to balance, both within and without. Those on the goddess path of consciousness find our healing through a wholistic spiritual experience, through embodiment of the Goddess and her Divine Beloved, God. As women and men, living in a patriarchal society, we have been confronted with God in only a male body.  Through the years of patriarchy, women's bodies did not belong to themselves, but to their husband or king or church.  We learned to hate our bodies unless it conformed to a male ideal.  We learnt to 'curse' our female body cycles and our experiences became steeped in shame and guilt. We were effectively cut off from our bodies, separated from a Divine Feminine Model, who could lead us as inner guide and teacher.   We reclaim our feminine souls and the sanctity of our inner lives through recognition of the goddess as a symbol of holiness of the immanent world, the physical, the here and now and the passion of the soul.
By reclaiming the Lost Feminine and Her sanctity, we restore the sanctity of women and womanly values.
The goddess forces us to embrace the natural cycles of birth, death and rebirth with its inevitable rhythm.  She does not allow us to escape, nor do we need to run away;  She liberates us into a new life in which we are free to experience every moment in its fullest, without fear of failure.
The goddess is so much more than mere myth or archetype in the feminine psyche.  The Divine Mother is a living experience of love, nurture and compassion.  She can be experienced in a direct and personal way.



The image of goddess as a feminine image of the Divine, evokes the web of life that connects every living being to both nature and the supernatural.  The image of deity as feminine Goddess is the oldest known religious image.  Religion refers here to the internal understanding of that which binds us to a greater power and not the external authority of dogma and structure. And indeed, that is what Goddess 'religion' epitomizes for me :  a holistic world view and an embodied understanding of the world and our place in it. 
A feminine image of the Divine, alongside a masculine image,  brings balance back to our world view.  It restores to our consciousness the value of women and their womanly ways of doing things.  It gives power to the feminine aspects of our being, both men and women.  
The symbols and rituals of a goddess practice bring the original understanding of our connectedness and interrelatedness to one another and the Divine, back to our consciousness.  Goddess practice implies embodied love as the ground of all being.  Nature is a living, conscious, intelligent being and all those who live on her, share in this interdependent relationship.  Thus the Goddess path calls for the incorporation and development of greener and holistic practices of thriving on her soil.  Goddess is indeed the body of the earth.  She is also nature, natural and Divine.
By accepting the Goddess back into our consciousness, and allowing Her to guide and lead us, and following Her ways of wisdom, we are led into the Sacred Inner Garden of regeneration and ultimately, we are led to the One.

On the first day we entered Her Temple.  A sacred space filled with the sound of bare feet, soft Goddess chants in the background and the perfume of sacred incenses : a sensual and loving womb space.  Proudly in place were the Dogon Sheela-na-Gig that found her way back to Africa.  The Sheela-na-Gig is a wooden carving, probably the door of a female bleeding hut used for retreat for women during their menses, by the Dogon people in their villages in Africa.  This Sheela-na-Gig was brought back to Africa by Koko Newport, Priestess of Avalon.


In the corner the image of the Mother of the Harvest quietly stood.  She was covered in silks and rich cloths, carrying a basket of the last fruits of the harvest.  By the end of the Conference she wore the many prayers and amulets of those who offered the blessing of their participation.



Inside the Temple of the Full Moon Harvest Festival

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The Sealskin Story by Storyteller Koko


Making of the Corn Brides


Sacred Goddess Icon Banners by Lydia Ruyle decorated the Temple and the Conference Venue.  Lydia created each one these divine images of Goddess and lovingly chose the most appropriate ones for the Goddess Conference in South Africa.  Visit Lydia's website atwww.lydiaruyle.com
       
 



The full moon rising over the ritual in labyrinth




Calling in in the light of the Full Moon

Priestesses in the Sacred Grove

PORTRAITS









KUNDALINI STAVAH by VALENTINO LEO



Full Moon Harvest Festival of the Great Mother



Let my every word be a prayer to Thee
Every movement of my hands a ritual gesture to Thee
Every step I take a circumambulation of Thy image
Every morsel I eat a rite of sacrifice to Thee
Every time I lay down a prostration at Thy feet;
Every act of personal pleasure and all else that I do,
Let it all be a form of worshipping Thee.
From verse 27 of Shri Aadi Shankara's Saundaryalahari

                                                      


 
 


International Goddess Conference
 Friday  21 to Sunday 23  March 2008

Fringe happening on
 Thursday 20 and Monday 24 March 2008

The Harvest  Moon
Festival of the Mother of the Earth
                  
The first ever international Goddess Conference in South Africa will be hosted
 during the Full Moon Autumn Equinox weekend in March 2008, on Artemis, Franschhoek, Cape, South Africa.. 
    


Goddess, Feminine Mystical Trinity, All That Is
Goddess is All That Is.  She is matter and spirit.  She is body, mind and soul.  She is Ma. 
She gives birth to us.  She nurtures, suckles, provides.  She sanctifies matter and materializes spirit. 
She is our Wholeness, our reason for being.  She is the redeeming innocent maiden, the fierce passionate mother and the dark wise crone within.  She is the phases of the moon, reflected in the cycles of our bodies, she is the dark night sky, she is the earth and she is the heavens.  She is the Great Cosmic Mother.

The image of Goddess as a feminine image of the Divine, evokes the web of life that connects every living being to both nature and the supernatural.  The image of deity as feminine Goddess is the oldest known religious image.  Religion refers here to the internal understanding of that which binds us to a greater power and not the external authority of dogma and structure. And indeed, that is what Goddess 'religion' epitomizes for me :  a holistic world view and an embodied understanding of the world and our place in it.
 
A feminine image of the Divine brings balance back to our world view.  It restores to our consciousness the value of women and their womanly ways of doing things.  It gives power to the feminine aspects of our being, both men and women.  It places emphasis on nurturance, rather than war;  it honours cooperation more than competition;  it joins rather than divide.  A feminine image of the Divine restores value and dignity to women and their natural physical cycles.

Thealogy (Thea - Goddess and logos - meaning) is not the intellectual study of Goddess and Her implications, but rather a way of living and experiencing your natural life.  This is indeed the difference between Theology and Thealogy.  The masculine one is indeed an action of the mind;  the feminine one an embodiment.

The symbols and rituals of Goddess practice bring the original understanding of our connectedness and interrelatedness to one another and the Divine, back to our consciousness.  Goddess practice implies embodied love as the ground of all being.  Nature is a living, conscious, intelligent being and all those who live on her, share in this interdependent relationship.  Thus the Goddess path calls for the incorporation and development of greener and holistic practices of thriving on her soil.  Goddess is indeed the body of the earth.  She is also nature, natural and Divine.

She is the One that gives birth to all life;  She is also the One that ends life.
It is to have the freedom and understanding to call God both Mother and Father.

The Conference will honour Goddess as Mother of all. 
We will make our pilgrimage to the Mother in
Her many splendid
forms as Table Mountain, the Full Moon, the spiral of the Labyrinth,
a sacred circle of cypress trees and in Her power of
Sacred Drama, myth, poetry, art and sound.
We will celebrate Her abundance, Her nurturance, Her limitless Love
We will honour the Mother that we have forgotten in Africa
and we will re-member Her ancient history.

 The main colours for the conference are gold, brown and orange.
You are invited to wear these colours during the duration of the Conference.
Ceremonial clothing are welcome.

The Conference is an opportunity to explore the Goddess path,
to learn more about the Goddess Within and Without,
and to experience her nurturing and healing nature.
It is an opportunity to make a pilgrimage to sacred sites
dedicated to Her aeons ago and now being re-newed.
It is also an opportunity to make your own sacred pilgrimage to
Goddess and to re-dedicate yourself to Her principles of
Love, Acceptance, Transformation, Grace and Healing.

 Share in the joy and pure fun of
celebrating with a Goddess community!

Full programme and bookings is now open on this website.


BOOK AND PAY BEFORE 30 NOVEMBER 2007 AND RECEIVE A BEAUTIFUL GODDESS ROSARY.



                                                                                    
                               International Goddess Conference 2008

Harvest Moon Festival
 Great Mother of the Earth
Main Conference Friday 21 March to Sunday 23 March 2008
Fringe Thursday 20 March and Monday 24 March 2008
Artemis, Franschhoek, South Africa

The Conference is hosted by Her Temple, priestesses and initiate priestesses of the Great Mother, Goddess loving men and women, poets, artists, dancers and those committed to the expression of Her beauty and wisdom through Sacred Imagination, Art, Myth and feminine spirituality.  You are invited to join us in a pilgrimage to the ancient and sacred site, Artemis, nestled in the cauldron of the Franschhoek Valley, guarded by two statuesque images of the pregnant Mother and the birthing Mother in the mountains.

The Goddess Conference is a spiritual event and pilgrimage, open to all Goddess loving women and men. The Harvest Moon Festival offers you the experience of entering Her Temple and priestessing Her Presence through participation in ceremony,  ritual, song and dance.  You will be able to celebrate the Goddess in a sacred space dedicated to Her,  offer prayers in her temple, take part in procession and ceremony, walk the Artemis labyrinth in the light of the Harvest Full Moon, join in a Sacred Drama, learn ancient Sacred Priestess Dances, participate in a night of Ecstatic Dance, make Corn Dollies as an ancient traditional harvest ritual and receive Her Love and nourishment through the beauty of Art.

These celebrations are an opportunity for you to learn about Goddess and Her aspects, to explore the relevance of Her path in today's modern world, to renew your commitment to your essence of love and to enjoy yourself in the company of like-minded Goddess loving people.

Join us in this magical event as we bring Her back to Africa, the continent of the Dark Mother and anchor Her Love into our land. Koko Newport, Priestess of Avalon, will hand over to Her Temple, an ancient Sheela Na Gig carving of the African Goddess.  As Women and Men of the Land we will walk across the landscape, chanting Her ancient songs, invoking Her in all Her aspects and giving thanks through drumming and dance.
 
FULL PROGRAM GODDESS CONFERENCE 2008
COSTS :  
Main Conference Ticket Friday 20 to Sunday 23 March 2008        R1000/$140/£70 
Extra Three Hour Workshops (choose 2)                                                                    R200/$28/£14 
On the Fringe : 
Thursday 20 March - Autumn Equinox Sunrise Hike and ceremony - Dean Liprini - R200/$28/£14 
Monday 24 March - Full day hike and ceremony at Motherstone - Dean Liprini-R400/$56/£28 
  
Friday 21 March 2008  
Morning 9 to 11.30 am.  Registration for the Conference. Enter Her Temple adorned with magnificent paintings by Andrea Desmond-Smith, goddess banners by Lydia Ruyle and other Goddess art displays.  Time to offer your sacred offerings at the four main altars, light prayer candles at the shrine,  and add your personal offering to the image of the Harvest Moon Goddess. Immerse yourself and fill your senses with Her image and beauty.  This space is crafted to take you out of everyday time and routine and where you may re-emerge through the veils, empowered by your experiences, nurtured and strengthened, brimming over with grace. Also time to admire all the wonderful art works on display, meander through the sacred landscape, visit the labyrinth in your own time and spend some reflective time in the outdoor shrines. 


11.30 to 12.30  Welcome Circle for all.  Introductions and Opening ceremony.  Join in the ancient ceremony of invoking the Goddess in Her aspects to bless this conference and celebrations.   Hettienne Grobler - What is the relevance of Goddess today? 


12.30 to 2 pm Lunch - bring a picnic lunch or buy a healthy, organic light lunch to carry with you into the olive grove. Enjoy your meal in the beautiful landscape (remember your blanket and camping chair - see notes below).  Lunch will also be served at the Goddess Eaterie, right next door to the Temple.  Prepare to be seduced by Robert and his fire food. 


Afternoon 2 pm to 5 pm  Extra Workshops - choose one - R200,00
Helen Schuck - Opening The Seven Seals of Consciousness - A Sacred Labyrinth Walk 
Marguerite van der Merwe - Grace and Power - restoring Presence and Body Awareness 
Lindie Lila - Goddess of the Moon, Sacred Dance and Song Workshop 
Sheri Parks - Fierce Angels:  The Divine Dark Feminine in Daily Life 


5 to 7.30 pm Supper - Dine under the starlight sky in the al fresco restaurant specially created for this event by our chef Robert. 


Evening 7.30 pm till late Opening Ceremony with participation for all.  LindieLila will enchant us with a Goddess song specially written for and dedicated to this Harvest Moon Festival and the Moon Goddess. Bring your musical instruments and join us in ancient Goddess chants and songs.  Hettienne will teach some of the ancient dances sacred to Goddess and as danced in her temples and then guide you into a night of absolute bliss as experienced through Ecstatic Dance dedicated to Goddess Within.


Saturday 22 March 2008 


Breakfast will be served at the Goddess Eaterie from 7.30 am. 


Morning 9 to 12.30 am Processional ceremony carrying the image of the Harvest Moon Goddess and consecrated Goddess banners into the landscape.  Participate in abundance and blessing ritual led by Priestesses.  Ceremonial handing over of Sheela na Gig by Koko, Priestess of Avalon.  


Poetry as Praise Song to the Goddess by Marguerite van der Merwe. 
“Come into my garden,” whispered the Goddess as we slid gently into Her earthly creation – as we live and move and have our Being – as we slide into one moment and out into the next. In the Garden of the Goddess is all that is. Those that lean close to Her heartbeats are the poets of all time, responding in language and song to convey the essence and soul of what they experience.
   In an interactive journey we will meet a collage of poets who have walked with Goddess/God and given us glimpses and praise-songs of Her reality.
Goddess chants and music for participation by all. 


Shirley Watchow - Woman of the Land™  will speak about her passion : the empowerment of women. 


12.30 to 2 pm Lunch - bring a picnic lunch or buy an organic, fresh, meal from the Goddess Eaterie. 


Afternoon 2 pm to 5 pm Extra Workshops - choose one - R200,00 
Rachel McCann - Gaia's Wisdom, Listening to the voice of our mother earth 
Shakti Malan - Shakti, the Goddess in all Her sexual power 
Natalia Baker - The marriage of sexuality and spirituality 
Koko Newport - Join Koko in making your own personal sacred dedicated Goddess girdle.  Should you book for this workshop, you will be supplied with a list of what to bring along. 


Dinner will be served al fresco, at a beautiful Goddess Eaterie, specially created for this event, by chef and Vedic Astrologer Robert and his staff.  Eat by candle light under the full moon and be prepared to be seduced by Robert's fire food and Mabon Harvest. 


Evening 7.30 pm till late  MABON CEREMONY Celebrate the Harvest Moon Festival with us in an ancient ritual, giving thanks for the abundant harvest of the Mother.  Participate in a Sacred Drama - a re-enactment of one of her mythical journeys, with a full cast of witches, wizards, journeys to the underworld, with a great deal of fun!! or participate in the Full Moon Labyrinth Walk led by Helen.  By invoking the energies of Nemetona, the Divine Goddess of the Nemeton, we will be offered the opportunity to re-awaken and re-connect to our divine feminine nature.  This Divine Mother of the Labyrinth and "She of the Sacred Grove" will infuse us with wisdom and compassion and assist in our re-birth. Join us around the bonfire and dance, chant and drum till late. 


Sunday 23 March 2008    


Breakfast will be served at the Goddess Eaterie from 7.30 am. 
 Morning 9 to 12.30 am Dean Liprini takes us on a powerful visual pilgrimage to the Southwestern tip of Africa.  With spectacular photography, he will unveil such mysterious phenomena as the 'sacred light grid' that surrounds Table Mountain - a network of sacred springs, caves and stone giants, geometrically-aligned to interact with the major solar and lunar events. 
Sheri Parks, Ph.D.  We are all Fierce and Nurturing : The Dark Mother Within. The Dark Mother represents the potential of women to be both fierce and nurturing.  Her role in everyday life has been preserved through the life roles of dark women.  The emerging recognition of the Dark Mother has implications for all women.  This session investigates the roles that the Dark Mother plays in popular mythologies. 
KoKo Newport - On being the bad mother?! 


12.30 to 2 pm  Lunch - bring a picnic lunch or buy a beautiful, fresh organic meal from the Goddess Eaterie, catered by Robert, Vedic Astrologer and Chef. 


Afternoon 2 pm to 5 pm Participate in the ancient sacred ritual of making Harvest Blessing Dollies with wheat ceremoniously harvested on local land. Blessing ritual of Dollies.  Take your dolly home with you and carry the seed for next year's conference.  
Blessing circle - blessing of candles and passing on the Flame of Avalon, Eternal Flame of Brigid, Glastonbury Goddess Conference flame and Harvest Moon Blessing Flame of South Africa!  Take your candle home with you and pass the flame on. 
Closing ceremony.


FRINGE EVENTS 
with Dean Liprini of Sunpath Tours 


Thursday 20 March 2008 
Autumn Equinox - Sunrise Ceremony - Fertility Stones of Little Lion's Head 
Time : 5.30 am to 8.30 am    Meeting place : parking area below the Suikerbossie restaurant in Hout Bay  Bring warm clothes, a torch for the ascent, a snack, water, tea to share, any prayers or intentions for yourself, humanity and our planet 
We will ascend a short distance to a sacred shelter and alignment to capture and experience this amazing day of balance - Equal Light and Dark!     
Cost R200,00                     


Monday 24 March 2008 
Day Hike to The Great Motherstone  
Come and explore this magical place of ritual where Earth, Sea and Sky meet.    Honoured by the ancients as the sleeping place of the sun. Where the Sun symbolically died.  Here are caves and shell middens used by ancient people.  This is an easy walk.  We will share with you what archaeologists found and lead you safely through these sacred caves, still steeped with the spirit of ancestors, we also experience the power and beauty of the Great Motherstone.              
Duration : start at 10.30 am, picnic lunch is included, end with a sunset meditation at 7 pm.
Bring along : sensible shoes, a hat, water, something warm to wear.
 
Cost : R400,00                                                
  
DESCRIPTION OF WORKSHOPS 


Marguerite van der Merwe - Grace and Power - restoring Presence and Body Awareness 
We are born in Beauty, Truth, Love. Gifted with an instrument of superb design and functioning.   As we cultivate Awareness and Consciousness in this workshop, we will rediscover our rightful inheritance in the Grace, Power, Strength and Ease of the fundamental and basic activities of daily life. We will re-learn to move, sit, stand, bend and walk effortlessly, without tension – and uncover and let go of habits that interfere with this perfection.  The secrets of Relaxedness and skilful, healthy, joyful ‘Being and Doing’    A profound yet simple restoration of heightened awareness and skilfull living. Coming deeply in touch with who we are.

Lindie Lila - Goddess of the Moon, Sacred Dance and Song Workshop                                                                                              
 The time is ripe to explore.  Sensation's wild, don't ignore.  The moon shines bright on my skin. I feel a drumbeat from within.  Let's do the moondance And let us see what the moondance Brings out in me!  Tune into your Sacred Self by using dance and song, in a safe and nurturing environment.  Rediscover your essence nature, with no pressure to be perfect.  We are constantly bombarded with outside opinions and ideas of what we should be, how we should look, and how we should be woman.  In this workshop you have the opportunity to reconnect to the sacred female energy lying dormant and suppressed in most of us.  Learn the Moondance Ritual.  Learn to tone and chant through sacred singing.  Discover your own passion, freedom and fire within!  Connect to the Moon Goddess - the sacred feminine divine. 
  
 Sheri Parks - Fierce Angels:  The Divine Dark Feminine in Daily Life
 The Dark Feminine is the oldest archetype in the world. After being pushed to the margins of recognized religious life, she has nevertheless  continued to be manifest in mainstream popular cultures and in the daily and spiritual lives of people around the world. As the  interested and redemptive stranger, the knowing guide through chaos, as the last friend and rescuer, as the oracle of God or the feminine face of God, she appears in film, television, novels, art and theatre. In many cultures, she is the only female who is celebrated as being both fierce and nurturing. Dark women have preserved the role, often unselfconsciously, in their daily lives and continue to use their connection to the power and the reverence for survival and social change.
 
 


Shakti Malan - Shakti, the Goddess in all Her sexual power 
The ancients knew that there is power in women’s sexuality… the kind of power that can give birth to the worlds, and that can open us into god(dess) consciousness. For some millennia now, humanity has needed to forget about this power a little, and focus on developing the masculine. But we are at a new time now, a time when the meeting of masculine and feminine in their full power is needed for the opening of the unconditional love. And for this, the rediscovery of the power of female sexual energy is a powerful vehicle. You are invited to an exploration of the power of female sexuality, which is also an introduction to Tantra. The themes of the workshop will be:
  • A brief look at the sexual history of humankind – from matriarchy to patriarchy and beyond
  • Into the dark forest: ways of exploring what is hidden/ unknown in your awareness through sexuality
  • Here I am: some gentle experiences of being totally present, in all your senses, in your sexuality, here and now
  • On female sexuality: an introduction to some little known mysteries about how sexual energy can move through women… on our own, or in acts of transcendence with another.
  • Giving blessing: How you can bless the world with the power of your sexuality.
This will be a day of dancing, listening, story telling, acting, and much sharing… so that we, men and women on this planet may come to embody the goddess in her full glory.
  


Koko Newport - Priestess of Avalon - Make your own Goddess girdle.                                                                      
We will create a Goddess Girdle reflecting the beauty and sovereignty of our true selves. Journeying together to collect, heal and empower our priestess selves we will honour our beauty and  dance our power selves.
Using cord magic we will weave our girdles with power, healing and joy. Please bring rattles for journey work.
Any pieces of old jewellery, shells, feathers or artifacts of significance to sew onto your girdle.

 
 
  



Harvest Moon Festival of Great Mother
2008
Contributors to our first ever Goddess Conference in South Africa!

HETTIENNE GROBLER
Lives in Durbanville, Cape, South Africa.  She has been exploring feminist spirituality and Goddess consciousness, since she had her first vision of Goddess at the age of fourteen.  Being a natural psychic and medium, her life journey has been to understand and live out that which she senses and perceives on other levels of existence. Her search has taken her on many spiritual pilgrimages to ancient countries and shrines; exploring the ritual and liturgy of different religions and cultures.  Finally, standing in Rome, looking at the Temple of the Vestal Virgins, did she understand the words of the call and answered.  Her understanding and teaching of Goddess is based on her personal relationship with the Feminine Within.  Having attended the Goddess Conference in Glastonbury, organized by Kathy Jones, for a number of years, the vision of having an International Goddess Conference in South Africa, was born during an ecstatic dance.  She returned home and established Her Temple - a sacred space serving as a chalice for the energies of the Great Mother and the spiritual nourishment of all women and men who visit this space.  She leads a group of women in Ecstatic Sacred Dance, where communion with the Divine becomes an everyday event.  Her message is that a return of the Mother is happening and that we, both as men and women, need Her in our psyche and hearts.  


Koko Newport


Lives in Glastonbury, United Kingdom and is a Priestess of Avalon.  She runs a priestess house  in Glastonbury, the Isle of Avalon.  Spending time with Koko is a real magical experience:  you may cry to release, you will laugh,   you will be touched deeply in your heart.
Koko is a true gift of the Goddess to this world : a great teacher and initiator of the Lady's mysteries.
She has done extensive training in the shamanic arts and many healing modalities with a thriving practice for many years.     She works as a Spiritual Guide in the magical land of the ancients and holds a safe space for pilgrims to visit.  She is a world traveller and a traveller of worlds.


SHAKTI MALAN
Shakti, the Sanskrit name for the Goddess who embodies the power of female sexual/creative energy.   It also means blessing.  Many moons ago, on a vision quest in the Little Karoo, Shakti came to visit me, gave me Her name and told me my work is about 'what it means to be a woman'.  This has led me on to an awesome journey of awareness and into Tantra, the ancient art of Sacred Sexuality.  Shakti is a Tantra teacher and Tantrika and member of the SA Advait School of Tantra Yoga.  It is her passion and devotion to share the sexual wisdom of the Goddess - the feminine in her totality - with men and women.  Through the power of dancing, story telling, acting and listening, Shakti guides others through their journey to claiming their sacred sexuality.  Her workshop at the conference will be   Shakti - the Goddess in all Her sexual Power.        



MARGUERITE VAN DER MERWE
is an internationally-accredited teacher of the Alexander Technique with 20 years experience, widely studied in the fields of body, mind and spirit - bringing to her teaching a gentle, open, practical, holistic approach.  Aware of the negative influences of our Age on personal serenity, health, wellbeing and poise, she has focused on integrating scientific, psychological and spiritual understanding into the realms of the Body to build overall health in a natural, intelligent, gentle but effective way.  She has delivered many talks on her field of experience, conducted workshops in America, many workshops locally as well as retreat/workshops combining Alexander Technique with T-ai Chi, Meditation, Walking, yoga and writing.  She is the author of 'EVE-OLUTION - Enrichment of Feminine Consciousness and Body Awareness', being particularly interested in work with Women.     Join her talks and workshops entitled, The Goddess Speaks... and Grace and Power - restoring Presence and Body Awareness.                      




LINDIE LILA
Music that sounds like the breath of mystical mountains, feels like the heat of a middle earth fire and affects you like an ancient ritual.  It would definitely taste like chili chocolate if you could taste it!  The hypnotic drones are filled with soul shaping passion.  Her music has the ability to initiate you into the unknown ...  Lindie Lila is a singer/songwriter/middle eastern dancer and acoustic performer, with a soulful and intimate style of music.  She is accompanied by her band called Bayembi Spirit, which means 'Spirit of the Musician'.  She has a background of studying jazz and becoming a professional middle eastern dancer.  She owned her own dance school and in this time she started writing her own music.   Her band members include a gifted musician from the Congo, Jason Tamba and Ronan Skillen, a gifted Indian Table and Didgeridoo percussionist.  Since 2005 she has performed professionally and shared the stage with people like DNA Strings, Jan Blom, Karin Zoid, Malaika and Arno Carstens.  She has performed at many music festivals, like Innibos in Mpulalanga,   Aardklop and she took a production to KKNK in 2007 with great success.  With the production of her cd MOONDANCE, she entered into a personal journey and dance with the Great Goddess.  She is bringing the Goddess of the Moon, Sacred Dance and Song Workshop to the Conference.    


SHERIPARKS                                                                                                                                                                
Sheri Parks, Ph.D. is honoured to have inherited her family and community traditions of wise and strong black women, which she has traced back to the time of slavery in the American South.  She is an associate professor of American Studies at the University of Maryland in College Park, Maryland, USA, where she follows manifestations of cultural myth in popular culture and ordinary life.  She is a longtime media host and public intellectual and interviews with her have appeared in national and international forums, including the BBC, CNN, Newsweek Magazine, The New York Times and The Washington Post.  Currently, she is writing a book,   Fierce Angels:  The Mythology of the Strong Black Woman in American Life, to be published in early 2009 by the One World imprint of Random House Publishers.

SHIRLEY WATCHOW
Shirley Watchow is facilitator of the Woman of the Land™  workshops which focus on the empowerment of women.  She is passionate about teaching women the importance of living their lives fully.  She has been facilitating these workshops for the past two years.  Shirley has been involved in transformation and personal development for the past 17 years, facilitating on workshops of up to 100 people with male and female participants of all ages.  After leaving a 13 year relationship Shirley considered her options and what direction her new life would take her.  After visiting the Eastern Cape she was moved by the plight of the women she saw and the idea of the Woman of the Land™  was born.  Parts of the workshop were drawn from her own personal experiences and her learning's from them.


DEAN LIPRINI
Dean Liprini is an independent researcher and geomancer who has spent the last 17 years researching sacred sites at the southern tip of Africa.  In his work, he brings together many fields of inquiry - archeology, astronomy, sacred geometry, geology and history - and links these academic studies to the metaphysical and to the mythology and legends of the Khoi and San peoples of southern Africa.  He has mapped out the many sacred sites, burial caves and rock art of the ancient peoples of Southern Africa.  With spectacular photography, he will unveil such mysterious phenomena as the 'sacred light grid' that surrounds Table Mountain Goddess - a network of sacred springs, caves and stone giants, geometrically-aligned to interact with the major solar and lunar events.  He works intimately with the chakra system of the Table Mountain Goddess.  Dean has compiled a thesis and his recently published book 'Pathways of the Sun' brings together these fields of enquiry and he has researched the healing potential of these sacred sites.  Dean runs the company Sacred Tours and leads spiritual tours and ceremony for those who are involved with individual/collective process work, light grid work, planetary healing and all round raising of human consciousness.       
Andrea Desmond-Smith
Andrea Desmond-Smith is a mytho-poetic artist combining elements of myth and fantasy with a deeply felt concern with the destruction of our planet. The themes that permeate her work are metamorphosis, resurrection and the four elements of Western alchemy: water, earth, fire and air. Her work is in public and private collections in South Africa and in Europe.  Andrea and her partner Kobus, are the creator and creatrix and keeper of the sacred piece of land called Artemis - ancient Greek goddess of the moon and untamed places, guardian of our imagination and wild natures.
 

KOBUS STANDER
Kobus and Andrea are the keepers of the sacred piece of land called Artemis.   Kobus is a blacksmith and woodwright. Apart from their own work, they often find their talents overlapping, and combined works will be born. These are displayed in the barn, or are made specifically to order.  In 2000 a labyrinth was constructed to give thanks for Kobus returning to good health once more. It was decided to orientate the axis of this labyrinth on a special mountain which Andrea calls “Mother Mountain” and the lowest point of the Franschhoek pass as it went over the mountains to Villiersdorp. Later, when Kobus checked the orientation using a G.P.S. it was found to be on an axis that was EXACTLY East/West! The barn has also been found to have a special relationship to the labyrinth. Andrea and Kobus walk the labyrinth with a group every year at the summer solstice 21st to 23rd December. Everyone is welcome, and they always have something extra as well, to enlarge appreciation of life and the living of it. In fact the whole of Artemis is a celebration of the abundance of living with nature and the imagination.


GODDESS ICON SPIRIT BANNERS BY LYDIA RUYLE
Lydia Ruyle  is an artist/scholar in the United States who has been pursuing Goddess research for several decades.  As an artist, she creates icons, sacred images of the divine feminine from the many cultures of the world.  Since 1995, the icons have become spirit banners which fly around the globe weaving the sacred energies of the divine feminine. She has published a beautiful book on her work, entitled Goddess Icons, Spirit Banners of the Divine Feminine.  These beautifully crafted spirit banners will be joining our temple and festival for the duration of the Conference!!                                                                                                                          

Tuesday, August 14, 2012

Goddess Symbolism within Freemasonry by William Bond




BY WILLIAM BOND

A few years ago I came across a illustrated Freemasonry book in my local library and glanced through it, out of idle curiosity, I was surprised to find I was able to pick out Goddess symbolism within Mason images. Which was a surprise, because Freemasonry is suppose to be a male dominated secret society. So why would a organization that has steadfastly refused to allow female members within its ranks for hundreds of years, use Goddess symbolism? It didn't make sense. I began to read more about Freemasonry and found enough information about the connection between Freemasonry and Goddess worship to fill a book. This article is a taste of what I have discovered so far.

I am myself am not a Freemason so any knowledge and understanding from this article, only comes only from my interpretation of Mason symbols. I have had a deep interest in Goddess religions for nearly 30 years, so I am looking at Freemasonry from this point of view. Yet if my interpretation of the symbols are correct, they tell a very different story about Freemasonry, than what the general public is led to believe. They even had the audacity to erect a giant statue of a Sun Goddess in New York harbour. Which they called the Statue of Liberty.

The Statue of Liberty was conceived, financed and built by Freemasons. They even had a Freemasonry ceremony when the statue was dedicated on October 28, 1886, by the then President of USA, Grover Cleveland. This colossus was initiated by French Freemason Frederic-Auguste Bartholdi. Whom he claim, "he caught a vision of a magnificent goddess holding aloft a torch in one hand and welcoming all visitors to the land of freedom and opportunity". So clearly in his mind the statue was a Goddess. He also wanted to build a giant statue of the Goddess Isis in Egypt, but as Egypt was then, and now, a Moslem country, this wasn't a good idea, and it fell through. The cost of making and installing this Statue Of Liberty was enormous. The French Freemasons had to raise 3,500,000 French francs, while New York newspaper owner Joseph Pulitzer donated $100,000 which in the1870's was a lot of money.

The symbolism of the Statue shows she is a Sun Goddess. We can see this by the ray of the sun coming out of her head dress and the flaming torch she is holding. The significance of this is in pagan times there used to be sun-gods and moon-goddesses. With the sun-god being the dominant deity because the sun has the greater light. But in more ancient times there used to be sun-goddesses and moon-gods. So she would be a dominant Goddess taking us back to the Creatrix Great Mother.

Since then I have discovered I am not alone in realizing there is a hidden Goddess within Freemasonry. I have since gone on the Internet and by simply typing - Goddess, Freemasonry - in a search engine I have found web-sites saying very much the same thing. Many it seems from ex-Freemasons. Though I have to say these people seem to have a different perspective to what I have. Mostly they seem to be fundamentalist Christians who believe strongly that the Bible is the word of God. Then they become Freemasons and were shocked to discover its Goddess origins. Some of these men have gone as far as accusing Freemasons of being Satanist.


The above drawing is called Faith, Hope and Charity. As in other Mason drawings Faith, Hope and Charity are represented by angels or Goddesses. In this drawing we only see two Goddesses or angels so where is the third? The secret meaning within this drawing is that the third Goddess is Compass and Square imagine in the middle of the drawing. So why is does this image represent a Goddess?



The Compass and Square image is probably the most popular symbol in Freemasonry. The fundamentalist Pastor Ron Carlson, who has spoken about Freemasonry in evangelical churches in many parts of America, claims that the square represents the earth, the compasses represent the sky, and the square and compasses when united, represent the sky impregnating the earth with its showers. He goes on to state that this is a symbol of sexual intercourse. The official Freemason line is they are just tools of the Masonry Trade.

Within the space made by the square and compass sometimes a letter is put there. Mostly it is a G though sometimes it is a M. So what do these letters mean? Masons claim that G is the secret name of God. Which is a mystery in itself because clearly G would stand for God, so it is not a mystery at all. To make it a mystery suggests it must be another name. Masons themselves claimed that G stands for geometry. This is because Freemasons refer to God as the Great Architect and you need geometry to create a complex building like a Church.

It has been claimed that the word "Great Architect" was introduced into Freemasonry in 1723 by the Presbyterian minister, James Anderson, and that he got it from the works of John Calvin, one of the founders of Presbyterianism. Also the idea of geometry comes from the physics of Isaac Newton who showed that the movement of planets was caused by scientific laws and not by the hand of God as previously thought. Newton used geometry to calculate the movement of planets so if we replace geometry with God we would then assume that Freemasonry is a atheistic organization. As the physics of Isaac Newton along with the later Darwin's theory of evolution was used by atheists to prove that God didn't exist and the world was created by blind chance. Though the irony of this, is that Isaac Newton was a very religious man and would completely reject this claim.

Freemasonry is certainly not a atheist society and they even banned people from joining it who are atheists. In my opinion both the Great Architect and Geometry are really very poor names for the Creator. After all there is a vast difference in planning a building and creating life. They are names that wouldn't satisfy a person who has the imagination to wonder at the diversity and complexity of life and the universe. A better explanation comes from Gerald Gardner who was not only a Freemason but the originator of modern Witchcraft. At the end of a article about Witchcraft he was to write.-

"The Myth of Witchcraft seems to be the story of the goddess here quoted. I am forbidden to give her name, so I will call her G."



If that is true, then it gives us a clue to the meaning of the Compass and Square image. The letter G is framed by a Diamond shape. This shape must be important because Masons use the same shape using other tools. As we can see above where knives and forks are used to make the same shape. Which is strange because knives and forks and certainly not Mason tools. This then suggests that the shape that the objects makes, is more important the than objects that make the shape. So what is this shape trying to tell us? The V or triangle shape seems to be used a lot in Freemason symbolism.

A example of this is another important Mason symbol of the Trowel which off coarse is another triangle shape. Back in the Stone-Age archaeologists and palaeontologists have discovered many V and triangle shaped symbols and it seems they represent the triangle of a women's pubic hairs. While the diamond shape is similar to a open woman's vagina. We can find examples of this is images of the Sheela-Na-Gig.


The image called Sheela-Na-Gig, and is found, believe it or not, on ancient Christian Churches in Britain and Ireland. It is claimed by Christian Priests that this image was used to frighten away demons. Which might make sense to a Christian minded person who believe sex and everything to do with it, is "dirty" and evil. Yet to the ancients this was once a holy and sacred image. Many of these images are found on Churches dedicated to St Bridget. Who was once the pagan Goddess Brigit.

It has also been claimed that when the Christian Church first built the first stone Churches the workforce still followed pagan beliefs. So the workers were able to incorporate many of the pagan gods and goddesses within the decoration of the churches. As well as coded messages of pre-Christian teachings. So it seem the Church at the time didn't then have to power to prevent this. It has also been claimed that these pagan stone masons were the first Freemasons.

Freemasons today don't mind admitting that the Compass and Square symbol is also a disguise version of the Hexagram shape, if you put two horizontal line across the points of the compass and square. So why did the Freemasons in the past, need to disguise its shape? Although in the last 200 years the Hexagram has gained reasonable respectability as the Star Of David in Judaism, in pre-Christian times it was used by Pagan religions. So back in medieval times it would have been seen as a pagan symbol which would warranted a visit by the Inquisition, for anyone who dared to displayed it.



The Hexagram consists of 6 sides, 6 points and 6 smaller triangles, thus 666. Before Revelations in the Bible was written, 666 stood for the Triple Goddesses as 6 was a sacred number, and still is today in Hinduism and Buddhism. So the story of the Beast 666 in Book of Revelations was a attack on Goddess worship as 666 was also used to represent the Triple Babylonian Goddess Ishtar whom Revelations called, "The Great Whore Of Babylon". Hex is also associated with Witchcraft as it is another name for a Witch's spell and in German a Hexen is a Witch.

The Hexagram is very ancient is was used to represent sexual love. As we can see two triangles of the female pubic hairs joined together. This may be a ancient symbol of sisterhood or lesbian love. If you take away the two horizontal bars like the Freemasons have done. you once again have the diamond shape similar to a open vagina. The Hexagram is still used today by the Hindu Tantra as a symbol of sexual intercourse. Judaism only adopted the Star Of David as late as the 18th century, so they may not of known its original meaning.

In our Judeo-Christian world we assume that sex and religion don't have nothing to do with each other, because we have been taught, that sex is a sin. But in the ancient past sex was seen as a very sacred act, because it creates life. This is true even in Hinduism today as whole temples are devoted to the sacredness of sex.



As was also the vagina, because pre-historic people believed that the whole world was born from the womb of the Great Mother. For this reason they worshipped the vagina as the source of all life. The later patriarchal religions made sex a sin and claimed that the vagina was, "unclean" as an attack on the earlier Goddess religions.



This carving comes from India and represents the worship of the yoni. Even in modern times in Tantra, the yoni is seen as a sacred and revered object.



To many Christian minded people these carvings from India would be seen as obscene. The second one shows a woman with the muscles of her abdomen flexed in contraction as she is about to give birth. When ancient people believed that the Great Mother created the universe it was easy for them to imagine the Great Mother giving birth to the world. For this reason everything associated with giving birth became very sacred.

When humans first became self aware they began to ask themselves, "what created the world?" It then would be natural for them to assume that the intelligence that created our world would be feminine. This is because if we look at animal and human life we find that life is created within the bodies of females. In fact it must of seem to our ancestors that women had great magical powers to create life like this. So it would be logical for them to assume that the whole of creation was born from the body of what they called, "The Great Mother".

This belief it seems gave women great power and status in human societies. Because if the Creatrix was female then all women were created in the image of the Great Mother. This belief made women very holy because it was only women who could create life in the same way the Great Mother had done. This is seen clearly in the many images found in Palaeolithic and Neolithic sites. Where they show images of the sex-act, the genitalia of women represented as V of a women's pubic hair or slit symbols and the very many naked images of women themselves. The picture that comes from these ancient times is that people then regarded the sex-act, menstruation, child-birth and breast feeding as all being very sacred. When these images were first discovered in the 19th and 20th centuries they were dismissed by male scientists as just "fertility symbols", and many were thrown away. We only know about them because some academics saw them as works of arts and preserved them. Since then very large numbers of these symbols and images that have been found in many parts of he world. This has made some people realize that these were the images of a major world wide religion.

Some palaeontologists have speculated that people in the Stone Age were unaware that the sex act produced childbirth. So women suddenly producing children would be seen as a wondrous miracle. They also went on to imagine that when men realized this role in conception, he no longer worshipped women as magical beings and took over the role of Creator himself. To support this theory we do find in Ancient Egypt that the God Atum created the world in a act of masturbation. The problem is that we do find the sexual act portrayed in Stone-Age art. Also the numbers 13 and 9 are important numbers in cave art. There are 13 menstrual cycles or moon months in a year and it takes on average 9 months for a baby to conceive and be ready for birth. So the people then, may not be as daft as we assume they might be. Also the input of men in the act of creation can be over in a few seconds, (wham, bam, thank you ma'am). Which is not anywhere equal to women carrying a foetus for nine months, the pain and drama of childbirth itself and then the ability of the women to feed the new born baby from her breasts. Not to mention all the mysteries of menstruation, which was seen as something very holy and sacred in ancient societies, and something as unclean and taboo in later patriarchal societies.

So we can see from this, that the ancient religion of the Great Mother would be a very feminine religion and empathize the feminine and maternal instincts of compassion, caring, nurturing, loving and creativity. This is supported by the fact that in the first civilizations of the Neolithic age, warfare and violence was completely unknown. Archaeologists only begin to find weapons of war, fortifications and images of violence in the later bronze and iron ages. Where it seems people began to worship male warrior Gods.

It seems that men started to began to dominate our world about five thousand years ago through violence and conquest. They then also created male dominated religions that made the Creator a male and claimed that the sexual act, menstruation, child-birth and breast feeding were all unclean, sinful and taboo. This was to undermined the role of women. Even today few women dare to breast feed in public, while back in the 1950s and 60s male doctors all but banned breast feeding claiming that cow's milk was better for the child! It was only later, scientific research showed the obvious fact that that human milk was best for human babies. As it had been discovered that mothers pass on their immunity to disease through the breast milk. Unfortunately there is still resistance because mothers are still not encouraged to keep breast feeding too long, and to switch to cow's milk as soon as possible. In spite of the fact that the research shows that mothers keep on feeding their immunity to the baby right up to time the baby is weaned. Also more modern research shows that feeding babies cows milk contribute to cot baby deaths.

Some Christian women, as late as the 20th century would go to priests for a cleansing ritual, to clean them of the "sin" of childbirth. Children also go through the cleansing ritual of baptism, which originally was to clean them of the sin of being, "born of women". So we can see through patriarchal attitudes a attack on the importance of women's roles. As Feminists have pointed out so often, child rearing is the most devalued work in our society. When some Feminist in the 1960s and 70s suggested that women should be paid to bring up children they were laughed at and ridiculed. After all bringing children and caring for them is clearly not as important as the activities of men. Like generals who have trillions of dollars in which to buy exciting toys like machine guns, flame throwers, napalm bombs or nuclear weapons.

So this is the difference between matriarchal and patriarchal religions. The feminine Goddess religions were about the celebration of whole act of creation from the sexual act to giving birth and breast feeding. It also empathized the maternal instincts of women of compassion, caring and love. The masculine religions on the other hand have throughout history have been about the glorification of violence. Where religious wars have been commonplace and still goes on even today. The irony of this is that in Christianity, Jesus preached love and compassion yet Christianity has been one of the world's most violence religions, throughout it's history.

This has been the great tragedy of the last five thousand years. While humans believed that the world was created by the Great Mother, the feminine maternal instincts of compassion, nurturing and love became the ideal for everyone. Then people began to question this belief and accept that our Creator could be male. This allowed people to accept masculine principles and instincts of competition and aggression. In time this was allowed to grow until it turned into violence, and conquest. Creating the world we know throughout recorded history of war, oppression, poverty and suffering.


Modern scholars claimed that Goddess religions where only fertility cults because of the way ancient peoples used to worship images and carvings of vaginas. Probably with their Christian bias they may of thought that they were all sex-mad in these Goddess Religions.

Now many Freemasons claim that their roots are very ancient, going back to the first civilizations. The first civilizations were created in the Neolithic times where we find people then still worshipped the Great Mother. The V and the diamond shapes we see in the Compass and Square symbol are similar to what has been found in ancient Palaeolithic and Neolithic art.


So it suggests that the Freemasonry secret name of God would be Goddess. This then would be a true secret because Freemasonry is suppose to be a male dominated organization where women were not allowed into it until recent times. Also as Freemasonry originated in Christian countries they wouldn't want to be seen worshipping a Goddess in a sex-mad fertility cult.

The word God comes from the ancient Indo-Europeon languages and originally it meant vagina. So God was originally a female deity and only became a male later on. (The word "man" was also feminine in ancient Indo-European languages, and only came used for the male sex later on.) Even in North Indian today "Khod," (God) means Vulva; Female Organ of Regeneration, Creation and Eternal Beginning. So the secret name of God would be the Great Mother or Great Architect as the Freemasons call her, in coded form.


It would also make sense of why some Freemasons have put the letter M in the space between the two tools because M would stand for Mother which is the Ancient name for the Goddess. The word Mother is common in all ancient languages like Ma-ma, Mu, Mah, Maa, Mtat and Mana. They all mean both a mortal mother and the Great Mother.

New initiates of Freemasonry are told to search for the, "lost Word" which is apparently the real name of God. In the third degree initiation they are given a clue and told to look, "to that bright and Morning Star". Now the Morning Star is Venus who was a Roman Goddess. Though the Morning Star was also once called Lucifer, the god of light which people who claim that Freemasons are Devil worshippers, latch onto. Yet long before the creation of Lucifer it was the Babylonian Goddess Astarte who was the Morning Star. Further back in time she was known as the "Queen of the Star" and the Ancient Great Mother. (Jesus was also called the Morning Star in Revelations in the New Testament.)

So this is why Faith and Hope are represented by the two angels while Charity is represented by the vagina/Goddess symbol.

There are even more feminine symbols in the compass and the square or the knife and fork symbols. Because the top half clearly shows a the letter W and we have the letter M at the bottom. The first letter of woman is W and first letter of Mother is M. Symbols of the zig-zag goes back to palaeontology art and it seems this sign means water. It is from the zig-zag we get the letters W, M, Z and N. It also represented female vagina moisture and the fluid that surrounds a baby in the womb.



The square and compass in these images are laid in the center of the spine of the book and this implies another feminine symbol. Where the two pages meet in the spine is a valley suggesting a closed vagina within the compass and square space.

The above image could be seen as a form of blaspheme because if the square and compass image is a Goddess symbol then what is it doing on the Holy Bible? After all the Bible is all about a male God and ignore Goddesses completely. What is not so well known is that the Ancient people of Israel used to worship Goddesses and what seems to be the names of pagan Gods in the Bible are in fact Goddesses. Scholars have found that the Goddess Asherah appears 40 times in nine books of the Hebrew Bible - Exodus, Deuteronomy,. Judges, 1-2 Kings, Isaiah, Jeremiah, Micah and 2 Chronicles.

Asherah is a very ancient Goddess, in the ancient Ugaritic Texts she is called, "She Who Gives Birth to the Gods." Which is similar to what Roman Catholics say about the Virgin Mary in calling her, "The Mother of God". Asherah is also called "she who treads on the sea", which is exactly what Jesus Christ did, in the New Testament. In fact scholars have revealed that much of the Old Testament is about a religious war between the followers of the Goddess Asherah and the followers of the God Yahweh. In the end it was the followers of Yahweh who won, and it was they wrote the Bible as we know today.

Even in the New Testament there are Goddess overtones. We today only know about four Gospels, Matthew, Mark, Luke and John. Yet before Christianity became a state religion it seem there was about 150 different Gospels. Some of them were about the Goddess Sophia whom it seems searched for her brother/lover Jesus in much the same way as the Egyptian Goddess Isis searched for her murdered lover Osiris. Other Gospels gave a more prominent role to Mary Magdalene and claimed there were female disciples.

Although it is not mentioned in the official Bible, there is a well known story that Mary Magdalene was a prostitute. Although there is no written proof of this in the Bible or in the Gnostic Gospels, so it would be easy to dismiss this story. Yet it also has to be remembered that when Christianity became a State religion there was at the time a vast amount of Christian text that the State officials had access to. Most of which was destroyed and only the what we know today as the New Testament was saved. Though in more recent time, parts of the Gnostic Gospels have also been found. So it could be possible that references of Mary Magdalene being a prostitute might be in these destroyed Christian writings.

If we take this story seriously what does this mean? We know that Jesus did mix with prostitutes, tax-collectors and the general outcasts of society. So is this then could just another example of his tolerance and compassion? This might be one explanation but prostitute had another meaning back in Biblical times.

It is clear in the Old Testament that the priests of the god Jehovah hated the Priestesses of Goddess temples. We know this from the story of Jezebel. She was Queen of Israel but she worshipped the Goddess Astarte. For this, she and her followers were murdered by the followers of Yahweh. Later on her daughter Athaliah also became Queen and she also worshipped Astarte and again she was murdered. In an attempt to slander Priestesses of Goddess the priests of Yahweh referred to them as Temple prostitutes because it was known that in many Goddess Temples they used sexual rituals. Because in Goddess religions sex was seen as a sacred act of creation. So in calling Mary Magdalene a prostitute, it strongly suggests that she was in fact a priestess of a Goddess religion.

The Gnostic Gospel called Pistis Sophia (Sophia was the Goddess of wisdom) is about a dialogue between Jesus and Mary Magdalene whom he calls, "dearly beloved". In one dialogue Peter complained to Jesus that Mary Magdalene dominated the conversation with Jesus but Jesus rebukes him. In another Gnostics text called "Dialogue of the Saviour" she is portrayed as a very wise Woman who understood Jesus completely unlike the rest of Jesus' disciples. So it seems that Mary Magdalene was a very important member of early Christianity. To the degree that some modern scholars have suggested that she and Jesus were married.

We know from the Bible that Jesus spent most of his childhood in Egypt. A very important Egyptian religion of the time was the religion Isis and Osiris. Like Jesus, Osiris was a god who was murdered and then returned from the dead. Many scholars have commented on the similarities between Jesus and Osiris, in that both gods were known by there followers as the Good Shepherd.. One of the symbols of Osiris is the Shepherd's crook and it is also symbol of rank for Christian Bishops. The image of Jesus's mother Mary holding him as a baby is also the same image of Isis holding her baby Horus. Both Jesus and Horus traditionally have the same birthday of 25 December. Also in Christianity prayers are finished by the words Amen, which comes from the Egyptian God Amom. So was Jesus trying to introduce an Egyptian religion into Israel?

It all does indicate that perhaps both Jesus and Mary Magdalene were trained priest and priestess in Egypt. Probably in the Goddess religion of Isis. Then they were sent as missionaries to convert the savage Israelites to a more compassionate Goddess religion. They knew that to preach a Goddess religion would mean that they would be quickly killed. So they converted there religious beliefs to fit in with the beliefs of the Jews. This meant that they turned the Compassionate Mother Goddess into a loving father God. Perhaps Jesus may of fooled the common people in doing this but he clearly didn't fool the priests. They were probably very aware he was preaching a Goddess religion and when they got the chance, had him crucified. From the way Jesus reacted to his betrayal and execution, he knew he was on borrowed time, and was clearly prepared to die for his beliefs.

What happened to Mary Magdalene afterwards we do not know. It seems she did survive so she probably continued what Jesus started and secretly continued the teachings that both of them created. It is of interest that Christianity came back to Egypt where it grew into a strong religion until Christianity became the Roman state religion. Then the Roman Christians had all the Egyptian Christians slaughtered who didn't follow the Roman version of Christianity. Destroying also all the Egyptian Christian text which only a small amount has survived today. This result is the Roman version of Christianity becoming more like a Jewish religion. As they put more empathize on the Old Testament than the teachings of Jesus. So the compassionate Goddess teachings of Jesus became largely ignored by the Christian Church until modern times.

When archaeologists excavated Ancient Palestine and the area around it, the Canadian archaeologist John Holiday claims that, "biblical descriptions does not match what is found in the dirt". What came clear from archaeological evidence is that the Hebrew Bible was a very biased and heavily censored version of Jewish History.

The evidence unearthed shows that Goddess worship was commonplace in Israel right up to early Christian times. With large numbers of Goddess statues discovered in the homes of common people. Archaeologists have shown that the Hebrews worshipped the Goddesses Asherah and Astarte as much as the countries around Israel. So is this what this Freemason symbol is trying to tell us? That within the Bible is a hidden Goddess?



The beehive is another popular Freemasonry image. I am sure they will tell you that the beehive is a symbol of people working together industrially for the good of the whole. So it would represent hard work and good organization.

Yet again it would be another very good Goddess symbol. The beehive is ruled by the Queen bee and the worker bees are also female. The male bees are the drones, who have no role except to fertilize the Queen bee. The drones who are not used in this way are surplus to requirements and are killed by the worker bees. So it means that the beehive is in fact a Matriarchal Society. Which seems to be a strange symbol for what is suppose to be a male dominated organization.

Bees in Ancient times was the symbol of the Goddess Artemis. This was because she was once the Great Mother who created the world without the help of a male God. The ancients believed that bees created themselves through parthenogenesis, so bees became a symbol of the Virgin Creatrix Mother. Who has survived in Christianity in the personage of the Virgin Mary. She is called by the Roman Catholics, "The Mother of God" which comes from a pre-Christian saying that the Great Mother is the, "Mother of all Gods".

Some people have also claimed that the bee hive represents the pregnant belly of the Great Mother. In much the same way that the artificial Neolithic Silbury Hill in England is claimed to be, "the swollen pregnant belly of the Earth Mother." Images of pregnant Goddesses are found in Palaeolithic and Neolithic sites.


This picture is called "The Three Great Lights in Masonry". This is what Masons themselves say about it:

"The Three Great Lights in Masonry are the Volume of Sacred Law, the Square and Compasses, and the sacred writings are understood to be those revered by the individual Mason. Although there are local variations in Freemasonry's symbolic structure, the Three Great Lights are universal. Taken together they form the most essential, as well as the most widely known, of the Masonic symbols. No Masonic Lodge can meet unless they are present and displayed."

On the top we have the beehive ruled by the Queen bee and the female worker bees representing either a matriarchal society or the ancient Goddess Artemis who was once the Great Mother. Then we have the compass and square on the open book which is a double vaginal symbol. Which is also a pre-historic symbol of the Great Mother. Then at the bottom we have Noah's ark. Noah's ark is a very ancient story that originally comes from Mesopotamia. Though it seems there are many similar stories about this all over the world.

It seems that with the ending of the last Ice-Age the great Glaciers that covered most of Northern Europe, Asia and North America began to melt. Resulting in oceans levels rising, as the ice trapped on the land turned into water and ran into the sea. Scientists have discovered that this rise in sea levels didn't happen slowly but happen suddenly in a series of dramatic floods. As the melted water would be trapped on land behind mountain ranges and ice barriers creating vast inland seas. Then when the vast ice barriers melted the water would suddenly be released in a great flood. The last time this happened was about 12 thousand years ago and accounts of this flood were probably the origins of stories like Noah's ark.

So the story of Noah's ark takes us back to the Neolithic age which was a age of Goddess worship, when people still worshipped the Great Mother. This suggests that "The Three Great Lights in Masonry" are symbols of the ancient Great Mother. And as there are three pictures they are probably are the triple Goddess.

The Triple Goddess is very Ancient Symbol, known originally as the Maid, Mother and Crone. They were also later known as The Three Grey Ones, The Three Harpies, The Three Fates, The Three Graces and The Three Maries. As well as Faith, Hope and Charity. This trinity was also adopted by patriarchal religions. In Ancient Egypt they had the trinity of Isis, Osiris and Horus. While in Christianity we have the trinity of Father , Son and Holy Spirit as well as the three Marys who witnessed the crucifixion of Jesus.

The name Mary comes from the Egyptian goddess Maat and the Mesopotamian Goddess Mami or Mammitu which means Mother. So Mary was originally a name for the Great Mother. The name Virgin Mary also has a interesting meaning

The ancient meaning of virgin is far different to what it means in Christianity. To the Christians a virgin is a woman who has never been penetrated by a man. Which then creates the problem in that Mary mother of Jesus was supposed to be a virgin when she conceived him. The Christian explanation is that God was the father of Jesus. This is not unusual in religions of this time, the Greeks had Zeus who would seduce or rape mortal women and from this union would come heroic demigods.

The Pagan meaning of virgin is a woman who is owned by no man. So therefore she was at liberty to have sex with any man she chooses. To the degree that when she gives birth she may not know or care whom the father is. The problem for the patriarchy in having women like this, was that property or inheritance could only be passed down the female line. Which meant that power and wealth was still being inherited by women. Because of this kingship was passed down the female line as we see in Ancient Egypt. So the patriarchal law of marriage was enforced where a women was expected to be faithful to one man. Which allows a husband to know who his children are. This then allowed property and titles to be passed down from father to son, keeping wealth and power in the hands of men.

This then suggests that the Virgin Mary was a women who wasn't restricted to the patriarchal custom of marriage and so probably belonged to a Goddess religion. Also the original meaning of the Virgin Mother was a name of the Ancient Great Mother who could give birth without the aid of a male God. Which raises a question, what is a the Ancient Great Mother doing in a Bible of a patriarchal religion? It suggests that people were probably still worshipping the ancient Great Mother in early Christian times and the Christians needed the Virgin Mary in their religion to attract these people.

Though there can be another interpretation of this the "Three Great lights of Masonry", if we read the work of Joachim of Fiore. He was a 12th century monk who wrote one of the most important commentaries on Book of the Apocalypse ever written, according to some theologians.

He wrote that the key to Revelations is in the concept of Father, Son and Holy Spirit. He claims that the Father was the age of the Old Testament, The Son is the age of the New Testament after Jesus was born. Then after the return and defeat of the Anti-Christ, there will be a utopian age of the Holy Spirit.

So if we look at the Three Great lights again we see at the bottom the Noah's ark which is in the Old Testament, so this would be the age of the Father. In the middle we see a book with the word John on it, suggesting this was John in the New Testament, so this would be the age of the Son. While at the top would be the age of the Holy Spirit but why is that age represented by a Beehive? In some of the Gnostic the Holy Spirit is the Feminine force and as previous mentioned the Bees are associated with the Goddess Artemis who was once a tribal Great Mother. So in other word this image is telling us of the return of the ancient religion of the Mother Goddess.

In the book "The Secret Zodiacs Of Washington DC" by David Ovason, the author writes about all the Freemasonry architecture in Washington city. What is interesting it the very large amount of statues and symbols of the Zodiac sign Virgo. Which the author suggests means that Washington is under the sign of Virgo. The problem is that there is no astrological evidence that this is true. So is there another reason why there is such a empathize on Virgo in Washington? The author claims that all these Virgo symbols and statues, - "seems to follow a well-established custom of emphasizing the role of Virgo, insisting that Washington DC is under her rule and patronage".

As Virgo was once the ancient Virgin Mother, what is this telling us? Does it mean that the founders of Washington were worshippers of the ancient Great Mother?



The above are images of the "all seeing eye" or the "eye of god". Again frequently used by Freemasons and displayed right at the top of many of their symbolic drawings. The problem with this image is, why has god got one eye? Some claim it is, "the eye of Horus", but this is not a answer as it doesn't explain why the God Horus in inflicted with just a single eye? It would be more sensible to show him with two eyes because a one eyed person is seen in popular sayings as a very biased or bigoted person. So is this a comment on bigoted Christianity? Where some Christians assume that God is very judgmental and intolerant?

It might be, but again it can be seen as another vagina symbol. In popular sayings a woman's vagina is also called an eye, because it has the same shape. In other words, it is another symbol of the sacred vagina that from all life is created. Back in the Neolithic age archaeologists have found what is called "Eye Goddesses" these were Goddesses with very prominent eyes. In Mesopotamia she was known as the Goddess Mari, those eyes searched men's souls. In Egypt she was the Goddess Maat (Mother) and was the deity of truth and Justice and had a "all seeing eye".


The above picture is of the Dollar note, it is universally accepted that the images on it are Freemason symbols.

The problem with this image is that it has 13 stars above the eagle who also carries 13 arrows in one of this claws, while on the other claw is a olive branch with 13 leaves on it. There are also 13 bars and stripes in the shield and there are 13 letters in "E Plurabus Unum" on the ribbon clenched in the Eagle's jaw. Now people believe that 13 is a very unlucky number. To the degree that many hotels in USA do not have a number 13 room or floor. So what is a country like the USA doing having this unlucky number so many times on one of its bank notes? The official line is that there were 13 states of the Union when USA became independent from Britain, this is why their are 13 stripes on the USA flag. The problem is that the 13 stripe flag is older than the USA. It was first used by the East India Company which was started back in 1600 and become the most powerful international company in the world in the 18th century. Though why the USA adopted the East India Company's flag is never explained. So what is so important about the number 13?

One explanation is that the Knights Templar were destroyed on Friday March 13, by the French King, Phillip IV. Suggesting a connection between the Knights Templar, the East India Company and the Freemasons. But the importance of the number 13 is very ancient and goes back to Neolithic times and perhaps ever older when the first calendars were constructed. It is of interest that scientists have found that in Neolithic times and even back in the times of the old Stone-Age people then were obsessed with creating calendars. The most famous being Stonehenge but there were many stone circles built in Britain, Ireland, and France before Stonehenge. Scientists have even discovered markings on bone that clearly show Stone-Age people keeping track of the phases of the moon 30 thousand years ago. So why was Stone-Age people so obsessed with time and the phases of the moon? A obvious reason would be that Stone-Age women probably worked out that their menstruation period roughly fitted in with the phases of the moon.

The months of the year originally come from the cycles of the moon and there are 13 lunar months every year. Which worked out well, as every month was 28 days which is exactly 4 weeks, while 28 x 13 = 364, which is only 1¼ days short of 365¼ days in a year. In ancient times women became associated with the moon, because their menstrual period also takes about the same time as a lunar month. So the 13 months of the year was seen in ancient civilizations as a very feminine symbol. When patriarchy took complete control they adopted the a 12 month calendar instead, to rid itself of any feminine association in our calendar. Unfortunately when 12 goes into 365 we have 5 days left over instead of one. The result is we now have a hotchpotch of a calendar with some months being 30 days and others 31 and only one month was left at 28 days. While the days in a week no longer correspond with the days in a month, as 30 or 31 days do not fit in with the 7 day week.

So the number thirteen is strongly associated with the feminine in a time before patriarchy. It is also of interest that Friday the 13th is unlucky because Friday was named after the Nordic Goddess Freya. So it means that later patriarchal religions in a effort to discredit Goddess religions associated the feminine and Goddesses with bad luck.

Thirteen is also in the New Testament. Jesus had 12 disciples but if we add Jesus to this we have a group of 13 people. Which is interesting, as traditionally a Witch's coven is 13 Witches.

Masons themselves claim that the Eagle on the Great Seal is used to represent the Phoenix. We see in the picture the Eagle flying upwards, which is suppose to be, "the Phoenix rising from the ashes". Now in its original form the Phoenix was feminine. It is also a death and rebirth story we see a lot in Pagan religions and even in Christianity with the crucifixion and resurrection of Jesus.


This picture is the image on the other side of the USA one dollar note. And again we find 13 rows of stones in the pyramid below the Masonic "All-seeing Eye" and 13 letters in 'Annuit Caeptis', which means "God has prospered".

In this image we have a steep sided pyramid far steeper that the a tradition type of pyramid of ancient Egypt and South America. So the pyramid is more like that of a steeple of a church, which is a clear phallic symbol. The steeple goes back to pagan times when patriarchal cults would carve large penises to symbolize potent Gods like Pan. Even today in Hinduism the God Siva is still worshipped as a phallic symbol. This also goes back to Ancient Egypt, as a symbol of the Sky Goddess Nut mating with the earth god Geb. With images of Geb lying of the ground with his penis standing up straight and Nut representing the sky arching over him. It may even be the original reason for the pyramids. I know a pyramid is not much of a phallic symbol but the Egyptians did attempt to build taller steeper side pyramids until they discovered they were unstable. So the pyramids may be very large phallic symbol worthy of a Great Goddess and may be there attempt to attract her back to earth.

Nut & Geb

In this image the point of the pyramid or steeple is cut off and we have a cap-stone that is separated from the rest of the pyramid. Suggesting that if the lower section is Freemasonry then the upper section is another organization. Within the cap stone is the single eye which is a vagina symbol. Suggesting that the cap stone represents a Goddess organization. So this whole imagine seems to be saying that above the patriarchal Freemason organization is a Goddess organization. Another meaning for this, is that the pyramid is unfinished, symbolizing the unfinished work of the Freemasons. We see similar symbolism in the Mason story of Solomon's Temple that plays a major part in their initiation ceremonies.


What we see in this drawing is that to get to the Temple itself you have to pass through three separate gates as there are three walls protecting the Temple. Which is similar to Freemasonry itself because Masonry in its original form had three degrees before a candidate became a true Mason.

If Solomon's Temple represents Freemasonry itself. Then it could also have a deeper meaning. Perhaps it might be suggesting that most Masons only go as far as the outer courtyard of the Temple. A lesser number get within the second courtyard and only a few members get inside the Temple itself. What is interesting about the Solomon's Temple is that it was a Goddess Temple. This is the reason why Solomon was condemned in the Bible in his later years for turning his back on Yahweh. Because he worshipped the Goddess Asherah.

So this is similar to the pyramid image on the USA one dollar. The base of the pyramid is for the ordinary Freemasons which is the outer court yard. Then some become part of another organization that is represented by the capstone, which is the second courtyard. Then within this organizations is a Goddess organization. Represented by the eye and the case of the Temple image represented by Solomon's Goddess Temple.

In Freemason initiations they act out the murder of Hiram Abiff, the builder of Solomon's Temple. Hiram Abiff is referred to as "The son of the Widow", which is curious as in our patriarchal society a person is generally referred to by his father whom he carries on his name. So the reference to his mother suggests matrilinear succession, which was common in old matriarchal societies. Though Freemasons themselves have another explanation for this. In the Egyptians Legend of the Goddess Isis, her husband the God Osiris was killed by his brother Set and cut up into many pieces. Then Isis found all the pieces and put him back together again and mated with him. Then from this union was born the God Horus. So this suggests that son of the Widow would be Horus as his mother was a widow when he was born. This then suggests that Hiram Abiff was the God Horus, which doesn't take us anywhere and is probably a red herring.

Hiram Abiff was a King from another land and invited by Solomon to build his temple. So this tells us that Hiram Abiff wasn't a Jew.. He didn't come alone but also with a army of workers. Which is all a bit strange in having another King from another land coming to build a Temple with his own workers. It suggests a very close bond between the two kings. This wasn't the only ruler that visited Israel, the Queen of Sheba also came to meet Solomon. Though the importance of this visit was never made clear in the Bible. So it does suggests that Solomon was open to influences outside of Israel.

In the Bible it doesn't say Hiram Abiff was murdered and that the Temple was finished, while in Freemasonry tradition it says that because of the murder of Hiram Abiff, it was left unfinished. This discrepancy may be telling us the aim and purpose of Freemasonry. King Solomon may have tried to promote Goddess worship in Israel, but after his death the followers of Yahweh become increasingly stronger. Perhaps the unfinished Temple means the unfinished attempt by Solomon to re-establish Goddess worship, in Israel. The fact that Hiram Above was murdered, is probably a reference to how patriarchy gained ascendancy over matriarchy, that is by violence.

The murder of Hiram Abiff also has a controversial point to it. When he was murdered the assassins buried the body to conceal what they had done. When it was realized that he was missing a search was made for him and his body was discovered and reburied. Some people have seen the similarity between this story and the crucifixion of Jesus, claiming that this is a death and rebirth story. Masons deny this, pointing out that Hiram Abiff didn't come back to life and was only reburied. Though if Freemasons claim that Hiram Abiff is the Egyptian God Horus then he is part of a death/rebirth story.

The point about the story is that Hiram Abiff had a secret which he wouldn't reveal to his attackers. If this secret is Goddess worship, then it again reveals Freemasonry history. If Hiram Abiff represents the mystery teachings of Goddess religions, then in the past it was destroyed by violence, and buried underground. Freemasons have since re-discovered this body of knowledge and have reburied it in a safer place where they know where it is.

Even if the Freemasons started off with an ideal of returning a Goddess religion it doesn't necessarily mean that its leaders share this ideal today. Because if they are all men, then they would have to surrender their power to women. The only thing that really make sense is that there are people who want to preserve knowledge from very ancient times, so this knowledge can be revealed to the public when the time is right.

There's some justification for believing this; in the time of Renaissances in the 8th, 9th and 12th centuries, when the Church briefly relaxed its repression. A great deal of ancient knowledge was suddenly "discovered". Like the works of Greek philosophizes Aristotle and Plato. Strangely these work were preserved and translated by Islamic countries. Who at the time were far more enlightened and open-minded than the European Christians. So when the Church relaxed its dogma these works of Pagan authors were allowed into Europe once again.

It is well known that it was Freemasons who engineered the American War of Independence,. When the American constitution was drawn up it was stated within it that. "Congress shall make no law respecting an establishment of religion, or prohibiting the free practice thereof". Since then nearly all other Western countries have passed laws giving its people the freedom to belong to any religion they want to. So in theory any knowledge of ancient Goddess religions could have been revealed in recent times with no fear of persecution. The fact that no such knowledge was revealed then, or since, means that this knowledge might of been lost and only the symbols still remain. Or the keepers of this knowledge, still think that Goddess worship is unacceptable to most people in our society.

When Pamela Suffield and I wrote "Gospel of the Goddess" at the end of the 1980s we put forward the idea that we are moving towards a new feminine matercentric age. Even many of our own friends found such a suggestion to be completely unacceptable. So if we are looking for a secret that is even still taboo in today's society then this would be a very strong possibility.

For years I have been interested in not only Goddess worship but the concept of a Matriarchal societies of the past. Unfortunately I have found that among scholars this is very much a taboo subject to the degree that there seems to be a campaign to censor this knowledge. As we can see through the treatment of the archaeologist Marija Gimbutas who was savagely attacked by other academics for daring to write books about what archaeologists have discovered about Neolithic civilizations.

Some Masons today claim that Freemasonry is no longer a secret society, as all its rituals and beliefs have be revealed to the public, in many books. But this may not be true, they might still have knowledge of ancient Goddess religions. And they might not want to reveal it because the leadership of Freemasonry has now become too patriarchal. But this may not stop individual members trying to bring back the Goddess. A case in point would be Gerald Gardner.

Now if some Freemasons do worship a hidden Goddess, this can could make sense of the behaviour of another well known Freemason called Gerald Gardner.

Back in the nineteen fifties, Gerald Gardner started Modern Witchcraft. He had a three degree hierarchy in his form of Witchcraft the same as within Freemasonry. Many of his rituals are apparently similar to Freemasonry and some Witches do know the secret hand signals that Freemasons use. Also there does seem to be a large number of Witches who are Freemasons. Witches are completely open in the fact that they worship the Goddess and unlike the Masons allow both men and women in their Covens. (Though there is today some Freemason groups who do now allow women in their ranks, and there are exclusive Female Freemasonry organizations).

So Gerald Gardner did successfully bring Goddess worship back to Western Civilizations. Though his version of the Goddess was watered down because his form of Witchcraft also worships a god. So she is not a Creatrix or Great Mother Goddess. But then he was very daring to re-introduce Witchcraft back in the 1950s. So perhaps he thought to bring back the Great Mother would be a step too far.

So even with the religious freedom of today we cannot rely on the leadership of Freemasonry to reveal what they know. We might have to rely in individual Freemasons like Gerald Gardner, who believe in the Goddess, to do this and bring out the ancient knowledge the Freemasons have.


William Bond